THE BEAR
BARRY GOLLOP


 
   


Dates of Operation:
   
1991 to present
Location:    Florida, Worldwide
Known Aliases :    
Known Affiliations :    Kristen Bjorn, Sarava Productions


BARRY ("THE BEAR") GOLLOP'S
striking photographs of South American and European models have graced the pages of the major monthly magazines since the early-1990s. Barry's carefully composed, richly colorful images, reveal a thorough knowledge of the history of art and the principles of design theory. Barry's subtle manipulation of light and form accentuates the innate sexual qualities of the model with a clarity that is both visually appealing and highly erotic. 

Born on September 1st, 1955, and raised in Buffalo, New York, Barry attended the State University of New York at Fredonia where he pursued a degree in psychology. While at SUNY, Barry took the opportunity to study in Germany for a year. Once there, Barry traveled throughout Europe where his interest in art history, photography, and foreign languages intensified. After graduating Magna Cum Laude with a Bachelor of Arts degree in 1977, Barry relocated to Miami in order to join Pan American Airways as a purser, a post he held for the next 14 years. For Pan Am, Barry traveled extensively throughout Brazil and Latin America, where in his spare time he began to photograph nude men. In Brazil, Barry met his future mentor and employer, well-known photographer and filmmaker, Kristen Bjorn. When Pan Am filed for bankruptcy in 1991, Barry left the company and, at the urging of Kristen Bjorn, he began to pursue a full-time career in male nude photography. Bjorn hired Barry as a still photographer and production assistant for the film Jungle Heat in 1992, thus beginning a long professional association. 



Barry continues to work for Kristen Bjorn's Miami-based Sarava Productions while pursuing his own photography projects. In 2001 German publisher Bruno Gmünder published a book devoted exclusively to Barry's male nude photography entitled The Bear: Essentials. Barry made his film directorial debut in 2001 with Moscow: The Power of Submission co-produced by Barry and Sarava Productions. For his efforts, Barry received the following awards:


The Awards for:  Moscow: The Power of Submission
~ The GayVN   Best Foreign Release 2002
~ Gay Chicago Magazine's Grabby Award    Best International Video 2001
~ Gay Chicago Magazine's Editorís Choice Award Best International Director 2001
~ The 8th Annual Hard Choice Awards
    by Onan the Vulgarian "Best of Phoenix" Alternative Film Reviewer:
      ~ Best Video / Honorable Mention
      ~ Most Romantic Sex Scene: Slava Petrovich and Alexander Byazrov


 



THE BEAR: ESSENTIALS - The Photos of Barry Gollop   Bruno Gmünder


THE WORK OF BARRY GOLLOP HAS BEEN
FEATURED IN MOST OF THE GAY MONTHLIES: 
 
INCHES, TORSO, JOCK, MANDATE, HONCHO, ALL MAN, PLAYGUY and others

    

    

      


 


 
MOSCOW: THE POWER OF SUBMISSION  
The Bear / Savara Productions
BEHIND THE CURTAIN: THE MAKING OF MOSCOW
  The Bear / Savara Productions  


 









 


KRISTEN BJORN / SAVARA PRODUCTIONS:   www.KristenBjorn.com 
Videos, DVD, "Directors Cut" Versions and Publications available.
Member's Section
has extensive Model & Video Galleries and Video On-Line.


send The Bear email, he loves to hear from his fans: bgollop@bellsouth.net


 


In June 2003, Barry kindly responded to several questions regarding his work: 

Mark at Gay Erotic Archives (GEA):  Did you study photography in school or are you largely self-taught?
Barry Gollop (BG):  I did not study photography formally. I took, however, many art and architecture courses at the University, among them: American Art and Architecture; Modern Art and Architecture, and two semesters of Art History.  Adding to this, in my  years of working for Pan Am, I frequently visited most art museums in every city that we flew to from the Miami base. Meanwhile, traveling with my camera on trips and layovers provided me with an opportunity of photographing genre, architecture, portraiture, and nudes. I am self-taught on technical aspects through books, camera manuals, experimentation, and  mentors. The fundamentals of photography and dark room are important but can be learned outside the classroom.  Studying art increases ones sensitivity to form, composition, ground, color, etc. and is a great approach to photography as an art form.

GEA:  About when did you start photographing nude men?
BG:  I had never shot B&W before 1981. I asked a athletic student that frequently laid out at the Miami Dade College Pool, if he would pose for me. I told him I wanted to photograph him in B&W, nude at a deserted beach on Key Biscayne. 

GEA:  Who was your first nude model?
BG:  This boy's name was Juan Carlos, a beautiful Cuban boy about 19 years old at the time. I still have a framed B&W on my wall, from that first roll I shot of him on the beach - his chest with water droplets in repose.  I like this photo as much today as I did than. Maybe I like it because it was wonderful to have such a positive first experience like that.  It represents a new beginning for me. He got his degree in Architecture, and began working as such. I stayed in touch with him over the next few years. My last visit was at his home where he was bed ridden and in the final stages of AIDS. It was very difficult to see him this way but he was still beautiful to me. 

GEA:  When and where was your first layout published?
BG:  In December of 1992 my first two layouts appeared in Torso [Dec. 1992] and Playguy [Dec. 1992]. They gave me the cover of Playguy that month. 

GEA:  When did your association with Kristen Bjorn begin?
BG:  We met one another through a model & friend of mine  while on a layover in Rio de Janeiro. It was in the mid 1980's where KB was working at the time. We began a friendship based on common interests including photography, South American music, and Brazilian culture.  He pushed me into commercial photography for erotic magazines when Pan Am went bankrupt in 1991.  He also encouraged me to return to Brazil where I photographed and scouted models for a film which we worked on together in 1993. It was called: Jungle Heat.

GEA:  What is the origin of your nickname, "The Bear"?
BG:  As a kid, people called me Bear, short for Barry. It is a diminutive for Barry and although this nickname has been around much longer than it's more recent use for leather bears, people are surprised when they meet or see a photo of me.  When I began working professionally, I wasn't  sure of the different types of photography that I might be shooting.   At the time being associated with pornography would have been detrimental for working in more homophobic genres, like shooting children and fashion. I therefore went with my nickname and the personal pronoun to give it a slightly more formal feel. This was all back in 1992. 


 
 
 



COPYRIGHT & DISCLAIMER
UPDATED: AUGUST 2005

images © The Bear - Barry Gollop / Kristen Bjorn Productions
Gay Erotic Archives is grateful to Barry for his cooperation and generosity in helping us create this page
and for the personal anecdotes provided by Barry for the many individual model profiles.
We also greatly appreciate his permission to reproduce selected images from his extensive portfolio.
Many Thanks to Mark, for his work on this page, and making it possible.